Commercial St.

House is a feeling. A thing to which other things are added.

-Peter Culley

For Commercial St., artist Samuel Roy-Bois has created a series of artworks that directly respond to the vibrant street where Nanaimo Art Gallery is located. Drawing inspiration from architecture and streetscape elements, large wooden sculptures echo Commercial Street’s built environment—the street’s layout, a vanished window, and a cairn that has recently been removed—as well as aspects of its social dynamics and commercial exchanges. Roy-Bois has collaborated with local artists and businesses to engage in what he calls a sculptural conversation—​building community connections that transcend physical boundaries.

Through these relationships, Roy-Bois brings new elements into play with his sculptural forms. These include a drinking glass borrowed from Mon Petit Choux cafe, a record chosen by the artist and one recommended by Steve Lebitsching from Fascinating Rhythm, antique and imported objects from Steven Johns of Red Shelf Decor, and a shirt bought, and one borrowed, from Rumours Vintage Collective. Commercial St also includes artistic contributions by Bronwyn Arundel from Nanaimo Ceramic Arts, graffiti artist Doktoer, and photographs by David Spearing courtesy of Nanaimo Archives. The exhibition is accompanied by new writing from Canadian poet, essayist, and novelist Lisa Robertson.

The artworks and objects in this exhibition reflect the everchanging network of events, individuals, and materials present on Commercial Street, brought together through playful interactions, coalescing in sculptural form. Commercial St. is the final exhibition through which we ask How can we play together?