CSM Gallery and Studio

  • Carl-Sean-McMahon-Osprey-XIICarl-Sean-McMahon-Osprey-XII
  • Carl-Sean-McMahon-Nexus-IIICarl-Sean-McMahon-Nexus-III
  • Carl-Sean-McMahon-Figure-Study-IVCarl-Sean-McMahon-Figure-Study-IV
  • Carl-Sean-McMahon-Eagle-on-TreeCarl-Sean-McMahon-Eagle-on-Tree
  • Carl-Sean-McMahon-Great-Blue-Heron-IIICarl-Sean-McMahon-Great-Blue-Heron-III
  • Carl-Sean-McMahon-Nexus-IVCarl-Sean-McMahon-Nexus-IV

Place Category: Galleries and Artists & Studios

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  • My sculptures revive the abandoned materials by giving them new meaning and purpose. The design of each sculpture is not preconceived, but rather dictated by the aesthetic merits of each individual component.

    Through the development of my work, I have been able to observe the interaction of individuals as they relate to the details of each sculpture. The use of these materials brought to my attention the interaction the audience has with each individual sculpture. Some of the viewers are drawn to the recognition of materials that were identifiable from their everyday lives, while others preferred pieces that have been altered so that the original components were no longer easily recognizable. It was these two reactions that inspired me to explore this tension in my development process.

    Until recently, I have been focusing on creating works that have very few recognizable components, but decided to exaggerate aspects of them to become feature components of the sculptures. Certain attributes, such as a sharp angle of a chair arm or the curve of a candlestick holder, help determine the visual flow of the piece. The sculpture is able to strip away the functionality of the individual components to emphasize their aesthetic merit. The outcome is to reinforce the idea that any material can go through a metamorphosis and become contrary to its formal existence.

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